10/28/2022 0 Comments C log to rec 709 lut![]() ![]() You're evidently using an external monitor that allows you to inject a LUT, so there's an opportunity to connect that monitor to your computer to identify whether the difference comes down to different display calibrations or a Premiere configuration or some other factor. It sounds like you're happy with a set of adjustments when you were shooting, but somehow what should have been the same pipeline in your computer has resulted in a much darker image. I feel like this is the core problem that you need to address and debug. When I use the same conversion LUT on the footage, it ends up looking nothing like it did in the monitor. I used the c-log to rec709 LUT from canon in my monitor while shooting Easier said then done it seems when shooting LOG. I know it’s a complicated topic but I’m just trying to understand the best workflow for lighting and exposing my scene for the highest dynamic range and most accurate image. ![]() However Canon recommends putting middle grey at 32% which would put the exposure just about where it ended up in my footage. ![]() I know in general, many people suggest OVER exposing LOG footage. It totally crushes the blacks and makes a gross looking image so I can only assume it’s not working as intended. When I bring in the footage to Premiere, most of the clips look underexposed. I used a light meter to decide exposure but used the LUT in monitor to get an idea of finished image. I used the c-log to rec709 LUT from canon in my monitor while shooting. #C log to rec 709 lut how toTrying to understand how to properly shoot and grade 10-bit C-log. ![]()
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